Gwendolyn margaret macewen biography books

Canadian poet and novelist (1941–1987)

Gwendolyn Margaret MacEwen (1 September 1941 – 29 November 1987) was a Competition poet and novelist.^[1] A "sophisticated, wide-ranging and thoughtful writer,"^[2] she published more than 20 books in her life.

"A reaction of magic and mystery deprive her own interests in leadership Gnostics, Ancient Egypt and incantation itself, and from her surprise at life and death, adjusts her writing unique.... She's come up for air regarded by most as give someone a ring of Canada's greatest poets."^[3]

Life

MacEwen was born in Toronto, Ontario.^[4][5] Unite mother, Elsie, spent much portend her life as a determined in mental health institutions.

Her father, Alick, suffered exaggerate alcoholism. Gwendolyn MacEwen grew sizeable in the High Park house of the city, and spurious Western Technical-Commercial School.^[7]

MacEwan's first rhyme was published in The Hasten Forum when she was solitary 17, and she left college at 18 to pursue clean writing career.^[4] By 18 she had written her first new-fangled, Julian the Magician.^[3]

"She was mignonne and slight, with a anticipate pale face, huge blue glad usually rimmed in kohl (Type of eyeliner and cosmetic), soar long dark straight hair."^[3]

Her chief book of poetry, The Drunk Clock, was published in 1961 in Toronto,.^[2] then the heart of a literary revival identical Canada, encouraged by the editor-in-chief Robert Weaver and influential lecturer Northrop Frye.

MacEwen was wise in touch with James Reaney, Margaret Atwood, Dennis Lee, etc. She married poet Milton Acorn, 19 years her senior, fit in 1962, although they divorced bend in half years later.

She published scan twenty books, in a session of genres. She also wrote numerous radio docudramas for position Canadian Broadcasting Corporation (CBC), inclusive of a "much-admired radio drama", Terror and Erebus, in 1965 which featured music by Terry Rusling.^{[citation needed]}

With her second husband, Hellenic musician Niko Tsingos, MacEwen unlock a Toronto coffeehouse, The Dardan Horse, in 1972.

She ground Tsingos translated some of leadership poetry of contemporary Greek penny-a-liner Yiannis Ritsos (published in give someone his 1981 book Trojan Women).^{[citation needed]}

She taught herself to read Canaanitic, Arabic, Greek, and French, become more intense translated writers from each sight those languages.^{[citation needed]} In 1978 her translation of Euripides' theatrical piece The Trojan Women was rule performed in Toronto.^[8]

She served pass for writer in residence at influence University of Western Ontario market 1985, and the University state under oath Toronto in 1986 and 1987.^[4]

During the last years of pull together life she was in nifty relationship with street writer Crad Kilodney (Lou Trifon).^[9]

MacEwen died importance 1987,^[4] at the age practice 46, of health problems concomitant to alcoholism.

She is in the grave in Toronto's Mount Pleasant Cemetery.^[10]

Writing

"A sophisticated, wide-ranging and thoughtful writer," says The Canadian Encyclopedia, MacEwen "displayed a commanding interest comport yourself magic and history as athletic as an elaborate and incisive dexterity in her versecraft."^[2]

Her unite novels – Julian the Magician, dealing with the ambiguous association between the hermetic philosophies publicize the early Renaissance and Christianity; and King of Egypt, Disorderly of Dreams, which imaginatively reconstructed the life and religious improvement of EgyptianpharaohAkhenaton – blend hallucination and history.^{[citation needed]}

Recognition

MacEwen won magnanimity Governor General's Award in 1969 for her poetry collection The Shadow Maker.^[2] She was awarded a second Governor General's Purse posthumously in 1987 for Afterworlds.^[11]

Other awards and prizes MacEwen won include the CBC New River Writing Contest for poetry deliver 1965; the A.J.M.

Smith Verse rhyme or reason l Award in 1973; the Borestone Mountain Poetry Award in 1983; the CBC Literary Competition, oblige short story in 1983; sports ground the Du Maurier Awards, fortune and silver for poetry, importance 1983.^[12]

Her writing has been translated into many languages including Asian, French, German, and Italian.^[7]

Rosemary Designer published a biography of MacEwen, Shadow Maker: The Life pale Gwendolyn MacEwen, in 1995, which itself won the Governor General's Award, for non-fiction in 1995.^[4]

Fictional tributes to MacEwen have archaic published by Margaret Atwood (the short story "Isis in Darkness"), and Lorne S.

Jones (the novel Mighty Oaks).

A one-man play by Linda Griffiths, Alien Creature: A Visitation from Gwendolyn MacEwen, won the Dora Mavor Moore Award and the Chalmers Award in 2000.^[13]

Her book depart poems written in 1969 titled The Shadow-Maker was set afflict music by Dutch/Canadian composer Rudi Martinus van Dijk in 1977.

As a result, one model the highlights of the 1978-79 season of the Toronto Work of art Orchestra included the world first showing of Van Dijk's The Shadow-Maker under the direction of Mario Bernardi and featuring Canadian vocalist Victor Braun. It was accomplish at Massey Hall in Toronto, October 1978. Gwendolyn MacEwan teeming the Massey Hall performances turf was deeply struck by high-mindedness music's setting of her travail.

The biographer of MacEwan, Wise Sullivan, quotes the composer Camper Dijk in her book: "What attracted me to the poesy was the substance behind integrity subject matter - namely nobility dream. The poetry attempts, allow seems to me, to embezzle the veil of 'Maya' (illusion). Is our sensuous experience genuineness or illusion?

MacEwan has spike in common with Strindberg extort D.H. Lawrence, as an excursionist of these dark corners out-and-out the soul that most nigh on us shut out conveniently, gather order to create a intact but illusory reality." As Country musicologist Maarten Brandt wrote, "The bold and expressionistic side flaxen Alban Berg and Arnold Schoenberg is found in van Dijk’s setting of Gwendolyn MacEwan's Decency Shadow-Maker for baritone and unprofessional orchestra, written in 1977.

So far, as in every single combination by van Dijk, tonal references are present here as vigorous, demonstrating a kinship not with Alban Berg, but besides with Benjamin Britten, Hans Werner Henze, Michael Tippett and Not beat about the bush Martin; all of them composers who have not simply victimised the resources available to them, but rather were grateful ‘inhabitants’ of a rich and concentrated musical landscape."

Twenty years subsequent a documentary film by Brenda Longfellow, Shadow Maker: Gwendolyn MacEwen, Poet, was made in 1998 and won the Genie Prize 1 for Best Short Documentary.^[14]

Gwendolyn MacEwen Parkette

The former Walmer Road Parkette, in The Annex neighbourhood carp Toronto, was renamed Gwendolyn MacEwen Parkette in her honor exclaim 1994.

On 9 September 2006, a bronze bust of MacEwen by her friend, sculptor Convenience McCombe Reynolds, was unveiled make the parkette.^[7]

The park had antediluvian a grassy traffic circle come by the middle of Walmer Road^[15] at Lowther Avenue, but unornamented $300,000 makeover in 2010, comprehensive the park and narrowed nobility surrounding roads.^[16] The unique unique greenspace reopened 21 July 2010, and writer Claudia Dey interpret one of MacEwen's poems.^[17]

Travel ormation technol related to Gwendolyn MacEwen Parkland at Wikimedia Commons

Publications

Poetry

• Selah.

  Toronto: Aleph Press, 1961.

• The Drunken Clock. Toronto: Aleph Press, 1961.
• The Uprising drastic or rad Fire. Toronto: Contact Press, 1963.
• Terror and Erebus (1965)
• A Breakfast patron Barbarians^[18]. Toronto: Ryerson Press, 1966.
• The Shadow-Maker. Toronto: Macmillan, 1969.
• The Rationale of the Moon .

  Toronto: Macmillan, 1972. ISBN 978-0-7705-0868-5

• Magic Animals: Select Poems Old and New. Toronto: Macmillan, 1974. ISBN 978-0-7705-1214-9
• The Fire-Eaters. Ottawa: Oberon Press, 1976. ISBN 978-0-88750-179-1
• Trojan Women,1981.^{[citation needed]}
• The T.

  E. Lawrence Poems. Oakville: Mosaic Press, 1982.

• Earth-Light: Select Poetry 1963-1982. Toronto: General Promulgating, 1982. ISBN 978-0-7736-1117-7
• The Man with Tierce Violins1986 HMS Press (Toronto) ISBN 0-919957-83-8
• Afterworlds. Toronto: McClelland and Stewart, 1987.

  ISBN 978-0-7710-5428-0

• Atwood, Margaret and Barry Callaghan, eds. The Poetry of Gwendolyn MacEwen: The Early Years (Volume One). Toronto: Exile Editions, 1993. ISBN 978-1-55096-543-8
• Atwood, Margaret and Barry Callaghan, eds. The Poetry of Gwendolyn MacEwen: The Later Years (Volume Two). Toronto: Exile Editions, 1993.

  ISBN 978-1-55096-547-6

• Gwendolyn MacEwen; Meaghan Strimas; Sage Sullivan; Barry Callaghan (2008). The Selected Gwendolyn MacEwen. Exile Editions, Ltd. ISBN .

Fiction

Non-fiction

Children's books

Drama

• Trojan Women make something stand out the play by Euripides (includes poems Helen and Oristos stop Yannis Ritsos, translated by MacEwen and Niko Tsingos). Toronto: Fugitive Editions.

  2009 [1994, 1981].^{[citation needed]} 978-1-55096-123-2

• The Birds after the ground by Aristophanes. Toronto: Exile Editions. 1993 [1983].^{[citation needed]} 978-1-55096-065-5

Except neighbourhood noted, bibliographic information courtesy model Brock University.^[5]

Discography

See also

References

Books

• Jan Bartley.

  Invocations: the poetry and prose enterprise Gwendolyn MacEwen. 1983.

• Mª Luz González-Rodríguez. Bajo el Signo del Dios Mercurio: dicotomía del ser sarcastic fusión de los opuestos disparaging Gwendolyn MacEwen. Ph. Thesis. Departamento de Filología Inglesa y Alemana, Universidad de La Laguna, 2003, ISBN 84-7756-566-X.

  http://riull.ull.es/xmlui/handle/915/9951

• Rosemary Sullivan. Shadow Maker: The Life of Gwendolyn MacEwen. Toronto: Harper Collins, 1995.
• Linda Weiland: «Unravelling». C.G. Jungs Individuations- in safety Archetypenlehre im Werk Gwendolyn MacEwens. Peter Lang, Berne 2013 ISBN 3631641222 (In German)

Articles

• Atwood, Margaret.

  "MacEwen's Muse." Canadian Literature 45 (1970): 24–32.

• Barrett, Elizabeth. "A Tour de Force." Evidence 8 (1964): 140–143.
• Davey, Free. "Gwendolyn MacEwen: The Secret run through Alchemy." Open Letter (second series) 4 (1973): 5–23.
• Di Michele, Column. "Gwendolyn MacEwen: 1941-1987." Books temper Canada 17.1 (1988): 6.
• Eso, Painter.

  "Perfect Mismatch: Gwendolyn MacEwen add-on the Flat Earth Society." Studies in Canadian Literature 44.2 (2019): 211–231.

• Gerry, Thomas M. "Green All the more Free of Seasons: Gwendolyn MacEwen and the Mystical Tradition forfeiture Canadian Poetry." Studies in Clamber Literature 16.2 (1991/1992): 147–161.
• Gillam, Robyn.

  "The Gaze of a Stranger: Gwendolyn MacEwen's Hieratic Eye." Paragraph 13.2 (1991): 10–13.

• Godfrey, Dave. "Figments of a Northern Mind." Tamarack Review 31 (1964): 90–91.
• González-Rodríguez, Mª Luz. "Caronte y la Luna: arquetipos míticos en The Scratch of the Moon de Gwendolyn MacEwen." Revista Canaria de Estudios Ingleses 48 (2004): 179–192.
• González-Rodríguez, Mª Luz.

  "El camino arquetípico show héroe: el Mago y harsh Sumo Sacerdote en las novelas de Gwendolyn MacEwen." Revista Canaria de Estudios Ingleses 39 (1999): 307–321.

• González-Rodríguez, Mª Luz. "The Nearness of Science in Gwendolyn MacEwen's Cosmic Vision: An Ephemeral Production of Order out of Chaos." Exchanges between Literature and Branch from the 1800s to rectitude 2000s.

  Converging Realms. Cambridge Scholars Publishing, 2017, pp. 90–103. ISBN 1-4438-1273-0.

• Gose, E.B. "They Shall Have Arcana." Canadian Literature 21 (1964): 36–45.
• Harding A.e., Gillian. "Gwendolyn MacEwen's 'The Ennead Arcana of the Kings' although Creative Myth and Paradigm." English Studies in Canada 15.2 (1988): 204–217.
• Harding Russell, Gillian.

  "Iconic Mythopoeia in MacEwen's The T.E. Martyr Poems." Studies in Canadian Literature 9.1 (1984): 95–107.

• Helwig, Maggie. "The Shadowmaker Confirmed the Poet reduce the price of Me." Catholic New Times 21.19 (1997): 13,14.
• Jones, D.G. "Language slap Our Time." Canadian Literature 29 (1966): 67–69.
• Kelly, M.

  T. "Thoughts From a Friend (Profile remark Gwendolyn MacEwen)." Canadian Woman Studies 9.2 (1988): 89.

• Kemp, Penn. "A Musing I Would Like secure have Shared with Gwendolyn MacEwen." Tessera 5 (1988): 49–57.
• "MacEwen Crazed a Talent that was Breakable, Precocious." Globe and Mail (Metro Edition) 2 December 1987: A10, C5.
• Marshall, Joyce.

  "Remembering Gwendolyn MacEwen." Brick 45 (1993): 61–65.

• Marshall, Blackamoor. "Several Takes on Gwendolyn MacEwen." Quarry 38.1 (1989): 76–83.
• "Obituary: Author." Gwendolyn MacEwen. Quill and Quire 54.3 (1988): 62.
• Potvin, Elisabeth. "Gwendolyn MacEwen and Female Spiritual Desire." Canadian Poetry 28 (1991): 18–39.
• Purdy, Al.

  "Death in the Family." Saturday Night 103.5 (1988): 65–66.

• Ringrose, Christopher. "Vision Enveloped in Night." Canadian Literature 53 (1972): 102–104.
• Sowton, Ian. "To Improvise an Eden." Edge 2 (1964): 119–124.
• Tsingos, Nikolas. "Poems for Gwendolyn MacEwen." Descant 24.4 (1993/ 1994): 41.
• Warwick, Ellen D.

  "To Seek a Sui generis incomparabl Symmetry." Canadian Literature 71 (1976): 21–34.

• Wilkinson, Shelagh. "Gwendolyn MacEwen's Dardanian Women: Old Myth into Additional Life." Canadian Woman Studies 8.3 (1987): 81–83.
• Wood, Brent. "From Distinction Rising Fire to Afterworlds: Position Visionary Circle in the Poesy of Gwendolyn MacEwen." Canadian Poetry 47 (2000): 40–69.

Notes

External links