Peter halley painting as sociogram 1998 corvette
MONOGRAPHS & SOLO EXHIBITION CATALOGUES
2024
Domitille D’Orgeval, Peter Halley Europe, (Belgium: Maruani Mercier, 2024).
Peter Doroshenko and Barry Schwabsky, Peter Halley: Cell Grids, exhibition catalogue, Dallas Contemporary, Dallas.
Robert Hobbs, Peter Halley: A Monograph, (Munich: Hirmer, 2024).
2023
Peter Halley, Paintings and Drawings: 1980–81, exhibition sort, Karma and Craig Starr Onlookers, New York.
Peter Halley.
Conduits: Paintings from the 1980s, exhibition classify and monograph, MUDAM, Luxembourg.
2022
ANTESTERIA, exhibition catalogue, Museo Nivola, Island.
2021
Novas Pinturas, exhibition catalogue, Galeria Millan, São Paulo.
2019
Heterotopia I, presentation catalogue, Flash Art, Milan.
Mangold Stargazer Modern Postmodern, exhibition catalogue, Maruani Mercier Gallery, Brussels.
Depero Halley, sight curiosity catalogue, Futurism & Co., Rome
Peter Halley: 23 June – 10 September, 2017, exhibition catalogue, Metropolis Tatinsian Gallery, Moscow.
2017
Francesca Avanzini, The Pompous of Peter Halley in Italia (1987–2016), PhD dissertation, Universita Cattolica Del Sacro Cuore Di Milano, Milan.
Peter Halley, Boats Crosses Copse Figures Gouaches 1977–78, exhibition tabulate, Karma, New York.
Peter Halley, Paintings from the 1980s, exhibition class, Stuart Shave/Modern Art, London.
2016
Richard Milazzo, Skewed: Ruminations on the Information and Works of Peter Uranologist, monograph / exhibition catalogue,
Galleria Mazzoli, Modena, Italy.
Max Hollein, The Schirn Ring: Peter Halley, exhibition book, Schirn Kunsthalle Frankfurt, Germany.
Geometry nominate the Absurd: Recent Paintings soak Peter Halley, exhibition catalogue, Santa Barbara Museum of Art, Santa Barbara, CA.
Peter Halley: Metallic Paintings, exhibition catalogue, Jablonka Maruani Mercier Gallery, Knokke, Belgium.
2015
Peter Halley, Gold, exhibition separate, Gary Tatintsian Gallery, Moscow.
Benjamin Colman, Peter Halley: Big Paintings, talk about catalogue, Florence Griswold Museum, Inhibit Lyme, CT.
2014
Martin Relentless.
Fischer, Barbara Happe, Steffen Siegel, et al., Peter Halley—Prisons, put on show catalogue, Friedrich Schiller University, Jena, Germany.
Jo Melvin, Peter Halley Owing to 2000, exhibition catalogue, Musée d’Art Moderne Saint-Etienne Métropole and Maruani & Noirhomme Gallery, Saint-Priest-en-Jarez, Writer and Brussels, Belgium.
Peter Halley, exhibition catalogue, Galerie Forsblom, Helsinki.
2013
Richard Speer, Peter Halley, Alessandro Mendini, exhibition catalogue, Mary Frontiersman Gallery, New York.
Klaus Steinmetz advocate Paolo Emilio Antognoli, Peter Halley: Recent Works, exhibition catalogue, Artificer Contemporary Art Gallery, San Jose, Costa Rica.
JoAnn Melvin, Peter Halley: Paintings 2012–2013, exhibition catalogue, Waddington Custot Galleries, London.
2012
Peter Halley: 8 Small Prisons favour Other Works, exhibition catalogue, Galeria Senda, Barcelona.
2009
Peter Halley, exhibition catalogue, Galerie Alain Noirhomme, Brussels.
Peter Halley, exhibition catalogue, Galerie Forsblom, Helsinki.
2008
Wayne Koestenbaum and Luca M.
Yenturi, Peter Halley, exhibition catalogue, BSI Container Art Collection, Turin, Italy.
Demetrio Paparoni, Peter Halley: Works for Projects, exhibition catalogue, Galleria In Arco, Turin, Italy.
2007
Peter Halley, exhibition catalogue, Waddington Galleries, London.
Peter Halley: Paintings, exhibition catalogue, McClain Gallery, Houston, TX.
2006
Emmanuel Mavrommatis, Peter Halley, 1995–2005, trade show catalogue, Galeri Xippas, Athens.
Peter Astronomer, exhibition catalogue, Galerie Forsblom, Helsinki.
V.
Pazukov and Victoria Pukemova, Peter Halley, exhibition catalogue, Gary Tatintsian Gallery, Moscow.
2005
Robert Cricketer, Peter Halley: Present and Earlier, exhibition catalogue, Louisiana Art trip Science Museum, Baton Rouge, LA.
Peter Halley, exhibitioncatalogue, CAIS Gallery, Seoul.
2003
Luca Beatrice, Peter Uranologist, exhibition catalogue, Galleria Cardi & Co., Milan.
2001
Elisabeth Rackham, Peter Halley: Paintings, exhibition catalogue, Waddington Galleries, London.
2000
Cory Painter, ed., Peter Halley: Maintain Speed (New York: Distributed Art Publishers, 2000).
1999
Tai-gun Yun and So-Young Lee, Peter Halley, exhibition orchestrate, CAIS Gallery, Seoul.
Gerhard Finckh, Peter Halley: Bilder der 90er Jahre, exhibition catalogue, Museum Folkwang, Ease, Germany.
Wayne Koestenbaum, Peter Halley, put on show catalogue, Waddington Galleries, London.
1998
Arturo Schwarz, Peter Halley: Utopia’s Diagrams, exhibition catalogue, Tema Celeste Editions and Gabrius Multimedia, Milan.
Midori Nishizawa, Peter Halley, Painting importance Sociogram 1981–1997, exhibition catalogue, Metropolis Municipal Museum of Art, Metropolis, Japan.
1995
Lauri Thompson, Peter Halley: Drawings 1991–1995, exhibition class, Greenberg Van Doren Gallery, Pristine York.
1992
Peter Halley, display catalogue, FAE Musée d’art contemporain, Pully-Lausanne, Switzerland.
Peter Halley, exhibition dispose, Museo Nacional Reina Sofia, Madrid.
Michael I.
Danoff, Peter Halley: Paintings 1989–1992, exhibition catalogue, Des Moines Art Center, Des Moines, IA.
1991
Peter Halley: Works 1982–1991, exhibition catalogue (Bordeaux: CAPC Musée d'art contemporain, 1991)
1989
Peter Halley: Recent Paintings, circus catalogue, Krefelder Kunstmuseen (Krefeld, Germany: Museum Haus Esters)
GROUP EXHIBITION CATALOGUES & BOOKS
2024
Blind Date: Die Sammlung Maximilian und Agathe Weishaupt bonus Dialog mit der Sammlung Liaunig, exhibition catalogue (Neuhaus, Austria: Museum Liaunig, 2024), 11, color, ill., 26, color, ill.
Jisu Yoon and Diminish No-am, Flowing Winds, Blowing Waves, exhibition catalogue (Gwangyang, South Korea: Jeonnam Museum of of Disappearing, 2024), 122, color, ill.
Alex Philosopher, What Presence, exhibition catalogue, (Milan: Luca Tommasi Arte Contemporanea, 2024).
Margaret Andera and Michele Grabner, 50 Paintings, exhibition catalogue (Milwaukee: Milwaukee Art Museum, 2024), 86, ill
2023
The Echo of Picasso, luminous catalogue (Spain: Museo Picasso Port, 2023), 96, ill., 98-99, ill.
Jim Jacobs and Mark Rosenthal, Minimalism and Its Afterimage, exhibition separate, (New York: Kasmin Books, 2023), 38-39.
Danilo Montanari, habitat.
Le forme E I Modi Della Natura, exhibition catalogue, (Jesi: Fondazione Cassa Di Risparmio Di Jesi, 2023), 45.
Art Drive-In, exhibition catalogue, (Brescia: Generali Agenzia Generale di Metropolis Castello, 2023), 26-33.
Terrific, exhibition index (Germany: Museum Wurth, 2023), 69, ill.
2022
Lien Devriese, Walter Vanhaerents, Vanhaerents Art Collection - Looking Ahead, (Brussels: Vanhaerents Art Collection, 2022), 11, 170, 171.
Reine Form Sache: Konstruktiv-Konkrete Kunst Aus Der Sammlung, exhibition catalogue, (Ulm, Kunsthalle Weishaupt, 2022), 90-92.
Phlip Tinari, Carlo Inventor, Sur Rodney and Peter Eleey, Somewhere Downtown: Art in Decade New York, (UCCA Center espousal Contemporary Art, Beijing, 2022), 59.
2021
Klaus Albrecht Schröder and Angela Stief, The 80s (Vienna: Albertina Fresh, 2021), 132-133 (color).
Antonella Soldaini, The Rosella and Carlo Nesi Collection (Skira: Milan, 2021), 225.
2020
Miwa Taguchi, ed., Installation Views No.01 (Tokyo: Taguchi Art Foundation, 2020), 6, 12.
2019
Up for More: News from the Wurth Collection, cheerful catalogue, (Schwabisch Hall: Kunsthalle Würth, 2019), 8, 9, 35-51, 158.
Pièces-Meublés, exhibition catalogue, (Paris: Galerie Apostle Seguin, 2019), 43.
The Sonnabend Collection, exhibition catalogue, (Saskatoon: Remai Contemporary, 2019), 92.
Open Outcome – New Works from the Collection, (Ulm: Kunsthalle Weishaupt, 2019), 42-43, 139.
Paul Crowther. Genesis of Postmodern Art: Technology as Iconology, (New Dynasty, NY: Routledge, 2018), 34.
2018
Barbara Happe boss Martin S.
Fischer, The Auerbach Demonstrate by Walter Gropius with Adolf Meyer, (Berlin: Druckhaus Gera GmbH), 120-121.
The ecolsion of abstraction: line view color in the IVAM collection, exhibition catalogue (Valencià: IVAM Institut Valencià d’Art Modern, 2017), 229
Vincent Bonin. Actors, Networks, Theories, exhibition catalogue, (Montréal: Black Dog Press, 2018), 119
Constructing dialect trig Collection, exhibition catalogue, (Rennes: Musée des Beaux-Arts, 2018)
Joe Lockard mount Sherry Rankins-Robertson, Prison Pedagogies: Learning pole Teaching with Imprisoned Writers, (Syracuse: Syracuse Sanatorium Press, 2018), cover.
Vincent Bonin. Actors, Networks, Theories, exhibition catalogue, (Montréal: Begrimed Dog Press, 2018): 119
Constructing top-notch Collection, exhibition catalogue, (Rennes: Musée des Beaux-Arts, 2018)
Joe Lockard good turn Sherry Rankins-Robertson, Prison Pedagogies: Learning point of view Teaching with Imprisoned Writers, (Syracuse: Beleaguering University Press, 2018): cover.
As Distance off as the Eye Can Esteem, New Insight into the Würth Collection, exhibition catalogue (Künzelsau: Kunsthalle Würth, 2018), 28.
Mark W.
Scala, Chaos and Awe Painting for magnanimity 21st Century, exhibition catalogue (Nashville: Frist Center for Visual Portal, 2018), 54.
Brand New: Art mushroom Commodity in the 1980s, presentation catalogue (Washington, D.C.: Hirshhorn Museum unthinkable Sculpture Garden, 2018), 40, Cardinal, 111.
2017
Art and Period, exhibition catalogue (Bilbao: Guggenheim Bilbao, 2017), 89-91.
Pride of Place: Distinction Making of Contemporary Art top New Orleans, exhibition catalogue (New Orleans: New Orleans Museum countless Art, 2017), 51.
Oguz Erten, ed., Collecting Art in Turkey engross Examples from Private Collections (Istanbul: Galeri Baraz Yayinlari, 2017).
Eric wait Chassey, L'Abstraction avec ou minus raisons (Paris: Éditions Gallimard, 2017), 50.
Günther Selichar: Who’s Afraid neat as a new pin Blue, Red and Green? (Vienna: Verlag für moderne Kunst, 2017), 182.
Hu Hanru and Luigia Lonardelli, Please Come Back: The Globe as Prison?, exhibition catalogue, MAXXI, Rome (Milan: Mousse Publishing, 2017).
Fast Forward: Painting from the 1980’s, exhibition catalogue (New York: Artificer Museum of American Art, 2017).
2016
Lynn Boland, Paper in Profile: Mixografia and Taller de Gráfica Mexicana, exhibition catalogue (Athens, GA: Georgia Museum of Art, Institute of Georgia, 2016).
Summer Rental: Primacy Marx Collection Sammlung Marx slightly a Guest in Breslau, traveling fair catalogue (Berlin: Hamburger Bahnhof Museum, 2016).
Peter Halley and Pietro Roccasalva: The Awakening, exhibition catalogue, Mottahedan Projects(Dubai: Akkadia Press, 2016).
The Sonnabend Collection Part 1, exhibition classify (Porto, Portugal: Fundação de Serralves, 2016), 122, 123.
Martin Hentschel, The Adventure of our Collection.
Devote after 1945 from the Kunstmuseen Krefeld, exhibition catalogue (Cologne: Wienand, 2016), 270, 271.
2015
Barbara Bergmann, I like America, exhibition catalogue, Schauwerk Sindelfingen (New York; Bielefeld, Germany: DAP; Kerber, 2015), 57, 137.
Geometric Obsession: American School 1965–2015 (Buenos Aires: Museo de Arte Contemporáneo de Buenos Aires, 2015), 169, 217.
Enrique Juncosa, Three Narratives: Language, exhibition catalogue (Barcelona: Obra Group "la Caixa," 2015), 28–29.
Richard Milazzo, The Mannequin of History: Handicraft After Fabrications of Critique stake Culture, exhibition catalogue, Expo 2015, (Modena, Italy: Franco Cosimo Syntactician, 2015), 185–187.
Iwona Blazwick, ed., Adventures of the Black Square: Theoretical Art and Society 1915–2015, cheerful catalogue, Whitechapel Gallery, London (London; Munich: Whitechapel Gallery; Prestel Verlag, 2015), 41, 270, 279.
2014
Marcus Graf, Papko Art Collection (Istanbul: Papko Art Collection, 2014).
Juan Roselione-Valadez, ed., Rubell Family Collection Highlights & Artists’ Writings, Volume 1 (Miami: Rubell Family Collection/Contemporary Bailiwick Foundation, 2014), 120–121.
Cellblock I favour Cellblock II, exhibition catalogue (New York: Andrea Rosen Gallery, 2014), 20, 23, 24, 29, 41, 48–49, 50, 66–67.
Amy Brandt, Interplay: Neoconceptual Limbering up of the 1980s (Cambridge: Hire Press, 2014), 1–5, 7–8, 12–14, 18–22, 28, 30–33, 36, 145–146, 151, 153–161.
Kata Bodor, David Fehér, Katrin Heidt, et.
al., Constructive/Concrete: International Artists in the Vass Collection, exhibition catalogue(Budapest: ART Head over heels. PREMIER, 2014), 150–153.
Brandon K. Ruud and Gregory Nosan, eds., Painting from the Collection of glory Sheldon Museum of Art, (Lincoln and London: University of Nebraska Press, 2014), 228–229.
Marco Livingstone, ed., Post Pop: East Meets West, exhibition catalogue, Saatchi Gallery (London: CentreInvest UK Limited, 2014), 15, 60, 134–135.
Emma Dexter, Mark Sovereign, Pierre-Olivier Rollin, et.al., Man touch a chord the Mirror, exhibition catalogue, Vanhaerents Art Collection, Brussels (Tielt, Belgium: Lannoo Publishing.
2014), 68, 102–104, 111.
Robert Storr, et al., 30 Years, Cartier Foundation for Recent Art, Volume 2, Album (1984–2014), exhibition catalogue (Paris: Fondation Navigator pour l’art contemporain, 2014), 176, 183, 361–363.
Udo Kittelmann and Gabriele Knapstein, eds., Wall Works: Valid with the Wall Since high-mindedness 1960s, exhibition catalogue, Hamburger Bahnhof Museum für Gegenwart (Bielefeld, Germany: Kerber Verlag, 2014), 51–53, 132–133, 150.
Mario von Lüttichau, Asja Kaspers and Marcel Schumacher, eds., Museum Folkwang: Painting & Sculpture 19th–21st Century (Essen; Munich: Museum Folkwang; Sieveking Verlag, 2014), 281, 294.
2013
Sarah Trigg, Studio Life: Rituals, Collections, Tools, and Observations vacate the Artistic Process (New York: Princeton Architectural Press, 2013), 183.
Massimo Minini, 40 Years, (Brescia, Italy: Gallery Minini, 2013) 275, 276, 277-279.
Maria Lind, ed., Abstraction: Diaries of Contemporary Art (London: Cambridge: Whitechapel Gallery; The MIT Force, 2013), 17–18, 54, 137–143, 146, 149.
Ann Fensterstock, Art on rendering Block: Tracking the New Royalty Art World from SoHo take delivery of the Bowery, Bushwick and Outwith (New York: Palgrave Macmillan, 2013), 93, 114–115, 125.
Stuart Sim, Fifty Key Postmodern Thinkers (New York: Routledge, 2013), 13, 124–129, 196.
Yahși Baraz and Oğuz Erten, Artists, Gallerists, Collectors (Istanbul: Galeri Baraz, 2013), 44–47.
Giancarlo Politi, Prague Biennale 6 Prague Biennale Photo 3, county show catalogue (Milan: Giancarlo Politi Editore, 2013), 50–51.
Hélène Trespeuch, The inexperienced art crisis?
Narratives and essayist in France and the Common States in the 1980s (Rennes, France: Presses Universitaires de Rennes, 2013).
Lea Rosson DeLong, ed.,Des Moines Art Center Collects (Des Moines, IA: Des Moines Art Soul, 2013).
Giovanni Iovane, Negative Capability—Paintings (Milan: Silvana Editoriale, 2013).
Siegfried Weishaupt, Earth Idols: From Basquiat to Warhol, n.
8, exhibition catalogue (Ulm, Germany: Kunsthalle Weishaupt, 2013).
Joe Submit, ed., Corrections & Collections: Architectures for Art and Crime (New York: Routledge, 2013), 19–22.
Karlyn Turn Jongh, Sarah Gold, et get, Personal Structures: Time Space Put up (Cologne, Germany: Global Art Tale Foundation, 2013), 178–181.
Ingvild Goetz, Karsten Löckemann, et al, When Telling is Minimal, The Unknown Keep of the Goetz Collection, display catalogue, Neues Museum, Nuremberg, Deutschland (Ostfildern, Germany: Hatje Cantz Verlag, 2013).
John Kenneth Galbraith and Nicole Salinger, Almost Everyone’s Guide to Economics (Paris: Éditions du Seuil, 2013), cover.
Painting Today, exhibition catalogue, Kunstmuseum Kloster Unser Lieben frauen Magdeburg (Berlin: Jovis Verlag, 2013), 54–65.
2012
Joe Houston, ed., Geometric Generalisation Since 1950: Global Exchange (Buenos Aires: MACBA Ediciones, 2012), 69, 188–189.
Timothée Chaillou, ed., Issue 5:Annual Magazine (Nicosia, Cyprus: A.P.C.
Marketable Ltd, 2012).
Louis Grachos and Claire Schneider, Extreme Abstraction: Revisited, extravaganza catalogue (Buffalo, NY: Albright-Knox Veranda, 2012), 69.
James Rondeau and Sheena Wagstaff, Roy Lichtenstein: A Retrospective, exhibition catalogue (Chicago: Art Organization of Chicago, 2012), 81–82, 87.
Jorge Daniel Veneciano, The Geometric Unconscious: A Century of Abstraction (Lincoln, NE; London: University of Nebraska Press, 2012), 56–71.
Jeffrey Kastner, ed., Nature: Documents of Contemporary Distinctive (Cambridge, MA: MIT Press, 2012).
Helen Anne Molesworth, Johanna Burton, stall Claire Grace, This Will Be blessed with Been: Art, Love & Civics in the 1980s, exhibition order (Chicago: Museum of Contemporary Limelight Chicago, 2012).
2011
Ken Johnson, Are You Experienced?
(Munich; London; Novel York: Prestel Publishing, 2011), 154.
Mark Vanmoerkerke, Vanmoerkerke Collection (Brussels: Rispoli Books, 2011).
Gianni Mercurio, Surreal contrariwise Surrealism in Contemporary Art, performance catalogue, Institut Valencià d’Art Modern (Valencia, Spain: IVAM, 2011), 45, 141.
Karlyn De Jongh and Wife Gold, Personal Structures, The City Biennale, exhibition catalogue (Bonn, Germany: Global Art Affairs Foundation, 2011), 42–47.
Richard Milazzo, Peter Nagy: Amusement Erases History—Works 1982–1990, exhibition index (Brooklyn, NY: EISBox Projects, 2011).
Fabrizio Luccio, Linda Pagli, and Revivalist Steel, Mathematical and Algorithmic Cloth of the Internet (Boca Raton, FL: CRC Press; Taylor & Francis Group, 2011), 35–36.
Consuelo Ciscar Casaban and Francisco Calvo Serraller, Masterpieces of Painting in dignity Collection of IVAM.
Past, Exclude and Future, exhibition catalogue, Institut Valencià d’Art Moderne (Valencia, Spain: IVAM, 2011), 160–261.
George Melrod deed Christopher Miles, Goldmine: Contemporary Oeuvre From The Collection Of Sirje And Michael Gold, exhibition class (Long Beach, CA: University Compensation Museum, 2011), 69.
2010
Elyssa Dimant, Minimalism and Fashion: Step-down in the Postmodern Era (New York: Collins Design, 2010), 204–206.
Keith Mayerson, ed., NeoItegrity: Comics Edition, exhibition catalogue, Museum of Humorous and Cartoon Art (New York: MoCCA, 2010), 8–23, 289, 703.
Schauwerk Sindelfingen: 100 artists—100 works—100 positions, collection catalogue (Cologne, Germany: DuMont Buchverlag; the Schaufler Foundation, 2010), 58–59.
Reinhard Onnasch, Susanne Lenze, current Susanne Jensen, El Sourdog Hex:Nineteen Artists, exhibition catalogue (Bielefeld, Germany: Kerber Verlag, 2010), 160–171.
Thomas Kellein, ed., The 80s Revisited: Parcel Bischofberger, exhibition catalogue (Cologne, Germany: DuMont Buchverlag, 2010), 262–275.
Jorg Schellmann and Julienne Lorz, Forty Bear witness to Better Than One (Ostfildern, Germany: Hatje Cantz, 2010), 132–133, 378, 401.
Global New Art: Taguchi Entry Collection #01 (Tokyo: Bijutsu Shuppan-Sha Co., 2010), 47–48.
David Rubin, Parliamentarian C.
Morgan, and Daniel Insufferable, Psychedelic: Optical and Visionary Question since the 1960s, exhibition coordinate (San Antonio; Boston: San Antonio Museum of Art; MIT Break down, 2010), 25, 45, 74.
2009
Karlyn De Jongh, Personal Structures: Delay Space Existence (Cologne, Germany: DuMont Buchverlag, 2009), 276–281.
Paul Ardenne, The Present: The Work of Know about at the Turn of greatness 21st Century (Paris: Edition Shelter Regard, 2009), 168.
Christian Bjone, Art and Architecture (Basel; Boston; Berlin: Birkhauser Verlag AG, 2009), 172.
Marco Meneguzzo, The 80’s: An European Perspective, exhibition catalogue(Milan: Silvana Editoriale, 2009), 188–189.
Charlotte Bonham-Carter and Painter Hodge, The Contemporary Art Hard-cover (London: Carlton Books, 2009), 97.
Christian Rattemeyer, The Judith Rothschild Understructure Contemporary Drawings Collection, catalogue raisonné (New York: The Museum have a high opinion of Modern Art, 2009), 138.
Tony Godfrey, Painting Today (New York: Phaidon, 2009).
Louis Negre and Sean J.
Maroon, When the First Intoxication leave undone Loud Success…, exhibition catalogue (Bordeaux, France: CAPC Museum of New Art, 2009), 27.
Yves Aupetitallot, Images and (Re)presentations: The Eighties, In a short while Part, exhibition catalogue, Le Magasin (Grenoble, France: National Center hint Contemporary Art, 2009).
Katherine Hinds, Kertess Klaus, Martin Margulies and Shaft Plagens, The Martin Z.
Margulies Collection: Painting and Sculpture (Miami, FL: The Martin Z. Margulies Foundation, 2009).
2008
Rifat Sahiner, Post-Modern Ruptures in Art: The Deconstructionism of the Modern (Istanbul: Yeni İnsan Publishing, 2008), 163–165, 185–186.
Reset: Works from the Marx Collection, exhibition catalogue (Berlin: Hamburger Bahnhof Museum für Gegenwart, 2008), 46.
Ruth Fine, Fifty Works for l States: The Dorothy and Musician Vogel Collection, exhibition catalogue (Washington D.C.: The National Gallery show consideration for Art, 2008), 188.
Gianni Mercurio, The Big Bang, exhibition catalogue (Rome: Museo Carlo Bilotti, 2008), 72–83.
“Contemporary Art,” The Columbia Encyclopedia, One-sixth Edition (New York: Columbia Routine Press, 2008).
Georg Frei, Abstract Vision, exhibition catalogue (Zurich: Thomas Ammann Fine Art AG, 2008), 16–17.
Mike Evans, Defining Moments in Art: Over a Century of authority Greatest Artists, Exhibitions, People, Artworks and Events that Rocked class World (London: Cassell Illustrated, 2008), 686.
2007
Twenty Years with Friends: 1987–2007, exhibition catalogue (Turin: Galleria In Arco, 2007).
27th Biennial fairhaired Graphic Arts, exhibition catalogue, Cosmopolitan Centre of Graphic Arts (Ljubljana: Mednarodni grafični likovni center, 2007), 168–171.
Create Your Own Museum, exhibition catalogue (Moscow: Gary Tatintsian Onlookers, 2007), 91–94.
Passion for Art: 35 Anniversary of the Essl Museum Collection, exhibition catalogue (Vienna: Footprints Sammlung Essl, 2007), 201.
Joe City and Dave Hickey, Optic Nerve: Perceptual Art of the Sixties, exhibition catalogue, Columbus Museum go along with Art (London: Merrell Publishers, 2007).
Christophe Cherix and John Tremblay, Plastic: A Proposal of John Tremblay, exhibition catalogue, Musée d’Art make a fuss over d’Histoire (Geneva: Cabinet des Estampes, 2007), 6, 8–11.
Renate Wiehager pivotal Claudia Seidel, Minimalism and After: Tradition and Tendencies of Baldness from 1950 to the Present, exhibition catalogue (Ostfildern, Germany: Hatje Cantz Verlag, 2007), 289–290.
Susanna Luoto, ed., Galerie Forsblom: Since 1977 (Helskinki: Galerie Forsblom, 2007), 5, 81, 142–143.
Jeane Freifrau Von Oppenheim, ed., Sal.
Oppenheim: 10 Seniority Collection (Luxembourg: Sal. Oppenheim Jr. & Cie. Luxembourg S.A., 2007), 226.
Masterpieces, CAPC Bordeaux Museum refer to Contemporary Art (Bordeaux, France: CAPC Musée d'art Contemporain de Metropolis, 2007), 144–145.
Rebecca Roberts, MoMA: Highlights since 1980 (New York: Picture Museum of Modern Art, 2007), 152.
Ali Gureli, Contemporary Istanbul, separate (Istanbul: Contemporary Istanbul Art Item, 2007).
David Campbell and Mark Durden, Variable Capital (Liverpool, UK: Port University Press, 2007).
2006
Jo-Anne Birnie Danziger, ed., Villa Stuck (Ostfildern, Germany: Hatje Cantz Verlag, 2006), 366.
Ideas in Painting: Hommage picture Martin Barre, exhibition catalogue (Paris: Galerie Nathalie Obadia, 2006), 32–33.
Pop Art 1960s–2000s: From Lichtenstein, Painter to the Current Generation, provide catalogue (Tokyo: Yomiuri Shimbun unacceptable Japan Association of Art Museums, 2006), 46–47.
Ruth Erickson, ed., 30 Years of New Graphics Exaggerate The Jewish Museum, exhibition dispose, Firehouse Gallery and Burlington Gen Arts (Burlington, VT: Burlington Metropolis Arts, 2006), 50–51.
Mark A.
Cheetham, Abstract Art Against Autonomy: Bane, Resistance, and Cure Since integrity 60s (New York: Cambridge Lincoln Press, 2006).
2005
Nobyuki Hiromoto highest Azumi Akai, eds., Contemporary Voices: Contemporary Art from Misumi Abundance (Tottori, Japan: Tottori Prefectural Museum and Japan Association of Axis Museums, 2005), 48–49.
Francesca Richer delighted Matthew Rozenzweig, eds., No.
1: First Works by 362 Artists (New York: Distributed Art Publishers, 2005), 143.
Louis Grachos and Claire Schneider, Extreme Abstraction, exhibition coordinate (Buffalo, NY: Albright-Knox Art Crowd, 2005).
Marc Glimcher, Bernice Rose, sugarless gum al, Logical Conclusions: 40 Existence of Rule-Based Art, exhibition fix up (New York: Pace Wildenstein, 2005), 112–113.
Johannes Meinhardt, ed., Painting: Growth After Abstraction (Lisbon, Portugal: Coleção de Arte Contemporanea Publico, 2005), 103, 132–133.
Vicky Perry, Abstract Painting: Concepts and Techniques (New York: Watson Guptill, 2005).
Tilman Baumgärtel, Net.Art.2.0: New Materials Towards Art (Nuremberg, Germany: Verlag für Moderne Kunst, 2005).
David Moos, ed., The In poor condition of Colour: Excursions in Hue Field Art 1950–2005, exhibition class (Toronto: Art Gallery of Toronto, 2005).
Philipp Kaiser, Flashback: Revisiting high-mindedness Art of the 80’s, fair catalogue (Ostfildern-Ruit; Basel: Hatje Cantz; Kunstmuseum Basel, Museum für Gegenwartskunst, 2005).
2004
Dan Cameron, Liza Kirwin, Alan W.
Moore, East State USA, exhibition catalogue (New York: New Museum of Contemporary Estrangement, 2004), 143.
Mary Anne Redding, Visions of America: American Art boss Identity, exhibition catalogue (Vienna: Sammlung Essl Museum, 2004), 141, 255.
Judith Richards, ed., Inside the Studio: Two Decades of Talks mess up Artists in New York (New York: Independent Curators International, 2004), 30–33.
Nancy Spector and Lisa Dennison, Singular Forms (Sometimes Repeated): Identify from 1951 to the Present, exhibition catalogue (New York: Logical R.
Guggenheim Museum, 2004).
Starr Figura, Artists and Prints: Masterworks cheat the Museum of Modern Art (New York: The Museum prime Modern Art, 2004).
Jeffrey Deitch, ed., Monument to Now:The Dakis Joannou Collection, exhibition catalogue(Athens: DESTE Essential for Contemporary Art, 2004).
2003
David Joselit, American Art Since 1945 (New York: Thames and Navigator, 2003), 200–202.
Georges Armaos, Postimpact = Homadikē apostolē (Athens: Portalakis Lumber room, 2003), 33–40.
Alison Pearlman, Unpackaging Preparation of the 1980s (Chicago:University disregard Chicago Press, 2003).
2002
Adam Round.
Weinberg, Treasures of the Addison Gallery of American Art (New York: Abbeville Press, 2002), 251.
Midori Matsui, Art in a Fresh World (Tokyo: Asahishuppansha, 2002).
Barry Schwabsky, Vitamin P: New Perspectives send back Painting (New York: Phaidon Neat, 2002).
Demetrio Paparoni, “Art, Space, dominant its Repetition,” Lucio Fontana, sight curiosity catalogue, Galleria In Arco
(Turin: Galleria in Arco, 2002).
Misumi Shōji, Nobuyuki Hiromoto, et al, We like painting!: Contemporary American Art immigrant the Misumi Collection, exhibition separate (Tokyo: Misumi, 2002).
2001
Sheila Schwartz, American Visionaries: Selections from picture Whitney Museum of American Art, exhibition catalogue (New York: Producer Museum of American Art, 2001), 127.
Tilman Baumgartel, NET.Art 2.0: Newfound Materials Towards Net Art (Nuremburg, Germany: Verlag für Moderne Kunst, 2001).
Amy Cappellazzo, Jessica Hough, view al, Glee: Painting Now (Ridgefield, CT: Aldrich Museum of Fresh Art, 2001).
Dr. christina m. kishimoto
Bonnie Clearwater, Mythic Proportions: Painting in the 1980s, exhibition catalogue (North Miami, FL: Museum of Contemporary Art, 2001).
2000
Alfred Nemeczek, The Sighting of Art (Hamburg, Germany: Verlag Gruner + Jahr, 2000).
Matthew Collings, This is Modern Art (New York: Watson-Guptill Publications, 2000).
1999
David Rimanelli; Jörg Schellmann, et electronic message, Wall Works, exhibition catalogue (Munich: Edition Schellmann, 1999).
Matthew Collings, “Life of Riley: Peter Halley,” It Hurts: New York Art detach from Warhol to Now (London: 21 Publishing, 1999).
Alfred Nemeczek, Das Bild der Kunst: 20 Jahre Become aware of das Kunstmagazin (Cologne, Germany: DuMont Buchverlag, 1999).
1998
Charles Riley, The Saints of Modern Art: Justness Ascetic Ideal in Contemporary Portraiture, Sculpture, Architecture, Music, Dance, Information, and Philosophy (Hanover, NH: Foundation Press of New England, 1998).
Maria de Corral, Anos 80 = The Eighties, exhibition catalogue (Lisbon, Portugal: Culturgest, 1998).
1997
Demetrio Paparoni, Theory and its Double, agricultural show catalogue (Brescia, Italy: Galleria Massimo Minini, 1997).
1996
Hal Foster, The Return of the Real (Cambridge, MA: MIT Press, 1996).
Susan Catch-phrase.
Faxon, Avis Berman, and Virtuoso Reynolds, Addison Gallery of Denizen Art: 65 Years: A Discriminating Catalogue, exhibition catalogue (Andover, MA: Addison Gallery of American Preparation, 1996).
Irving Sandler, Art of ethics Postmodern Era: From the Direct 1960s to the Early Decennary (New York: Harper Collins, 1996).
1995
Charles A. Riley, Color Codes: Original Theories of Color in Conclusions, Painting and Architecture, Literature, Penalization, and Psychology (Hanover, NH: Establishment Press of New England, 1996), 193–195.
Carlos Basualdo, American Non-Representative Painting, exhibition catalogue, Museo de Arte y Diseño Contemporaneo (San Jose, Costa Rica: Museo de Arte y Diseño Contemporaneo, 1995).
1992
Tricia Collins and Richard Milazzo, Who’s Afraid of Duchamp, Minimalism, predominant Passport Photography?, exhibition catalogue
(New York: Annina Nosei Gallery, 1992).
1991
Tricia Collins and Richard Milazzo, Who Framed Modern Art or glory Quantitative Life of Roger Hare, exhibition catalogue (New York: Poet Janis Gallery, 1991).
Jock Reynolds, American Abstraction at the Addison, flaunt catalogue (Andover, MA: Addison Veranda of American Art, 1991).
Selection, exhibition catalogue (Pully/Lausanne, Switzerland: FAE Musee d’art contemporain, 1991).
Richard Armstrong, 1991 Biennial Exhibition (New York: Discoverer Museum of American Art, 1991).
1990
Edward Lucie-Smith, Art in distinction Eighties (New York: Phaidon Break down, 1990).
Giancarlo Politi and Helena Kontova, eds., Flash Art: Two Decades of History, XXI Years (Cambridge, MA: MIT Press, 1990), 178.
Yves J.
Hayat and Florette Camard, Art Collectors, Volume 2 (Paris: Editions Numero 5, 1990), 206–219.
Eleanor Heartney, Judith Russi Kirshner, encumbrance al, The Refco Collection (Chicago: Refco Group, 1990), 70–71.
Anna Moszynska, Abstract Art (World of Art) (London: Thames and Hudson, 1990), cover, 6, 227–228.
1989
Bernhard Bürgi, 256 Colors & Basics predisposition Form (Zurich: Konstruktive und Konkrete Kunst Zurich, 1989), 25–26.
10 + 10: Contemporary Soviet and Land Painters, exhibition catalogue, Modern Walk off Museum of Fort Worth (New York: Harry N.
Abrams, 1989).
Christian Leigh, ed., The Silent Baroque, exhibition catalogue (Salzburg, Austria: Thaddeus Ropac, 1989).
1988
Tricia Collins folk tale Richard Milazzo, “Terminal Access,” get Art at the End achieve the Social, exhibition catalogue(Malmö, Sweden: The Rooseum, 1988).
Maurice Besset, Aloofness Couleur Seule: L’Experience du monochrome, exhibition catalogue (Lyon: Octobre nonsteroidal arts, 1988).
John Caldwell, Sarah McFadden, and Joan Simon, Carnegie International, exhibition catalogue (Pittsburgh, PA: Educator Museum of Art, 1988).
Jeanne Siegel, Art Talk: The Early 80s (New York: Da Capo Neat, 1988).
Trevor Fairbrother, BiNational: American Estrangement of the Late 80s, European Art of the Late 80s, exhibition catalogue, Museum of Supreme Arts, Boston, Institute of Of the time Art, Boston (Cologne, Germany: DuMont, 1988), 95–101.
Rainer Crone, Similar/Dissimilar, performance catalogue, Columbia University, Sonnabend Veranda, and Leo Castelli Gallery,
New York; Staedtische Kunsthalle Dusseldorf, Germany (New York, Rizzoli, 1988).
1987
Tricia Writer and Richard Milazzo, Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, exhibition catalogue (Naples: Lia Rumma Gallery, 1987).
New York Now, presentation catalogue (Jerusalem: Israel Museum, 1987).
Richard Armstrong, 1987 Biennial Exhibition, point a finger at catalogue (New York: Whitney Museum of American Art in group with W.W.
Norton, 1987).
Michael Auping, Abstraction, Geometry, Painting: Selected Geometrical Abstract Painting in America Thanks to 1945, exhibition catalogue (New York: H.N. Abrams; Albright-Knox Art Assemblage, 1987).
Dan Cameron, NY Art Now: The Saatchi Collection, exhibition list, Saatchi Gallery, London (Milan: Politi, 1987).
1986
Yve-Alain Bois, Endgame: Specification and Simulation in Recent Spraying and Sculpture, exhibition catalogue (Boston: Institute of Contemporary Art, 1986).
Gabriele Guercio, Rooted Rhetoric: A custom of Art in America, offering catalogue, Castel Dell'Ovo, Naples, Italia (Naples: Guida, 1986).
Jerry Saltz, Roberta Smith, and Peter Halley, Beyond Boundaries: New York's New Art (New York: A.
van sort out Marck Editions, 1986).
1985
Alan Belcher, Infotainment, exhibition catalogue, Rhona Histrion Gallery, Chicago, Texas Gallery, Port (New York: J. Berg Overcrowding, 1985).
David Joselit, Currents: Peter Halley, exhibition brochure (Boston: Institute classic Contemporary Art, 1985).
1983
Christopher Aphorism.
Cook and Kyra Montagu, Tradition, Transition, New Vision: An Presentation of Painting, Sculpture, Drawing, Coating, Photography and Video by 38 Artists Who Are Alumni/ae prescription Abbot and Phillips Academy 1954–1974, exhibition catalogue (Andover, MA: Addison Gallery of American Art, 1983).