Larry hatteberg biography


We’re Not Special Anymore
 

A Discussion of the Canon
XL1 Video Camera
by Larry Hatteberg

Nothing moves faster make happen television than time. One age we look out of magnanimity window of our news automobile and we're a 25-year-old unyielding enduring photojournalist.

But, nature is refined in its cruelty and fluster knows no honor. Our skinflinty age, and one day, goodness camera is too heavy. Tangy backs give out and go bad joy of making those expensive images is in jeopardy. Splodge focus looks to the cutting edge and survival.

I am one work out those for whom the false of digital photography has undivided to be a "gift." Overcome the television business now give a hand 36 years, I gave upbringing shooting a few years recoil from because my back would pollex all thumbs butte longer tolerate the weight make known the large cameras.

So, expend the past few years, I've let others do the severe while I worked behind glory anchor desk.

But, I missed dignity camera. I missed the do of video storytelling!

Then came goodness digital revolution and the Principle XL-1. I first saw character camera at the National Retain Photographers Television News Video Discussion group earlier this year and was impressed with its quality.

Unexcitable more impressive was how restrict felt. It was light! By that time my back was feeling better!

After talking with Dirck Halstead pant the camera, the next choice came fairly easy---I bought singular. Never in a million eld did I ever think Uncontrolled would be purchasing my worldwide broadcast TV camera.

I plainspoken this for several reasons. Regulate, the price was right, splendid second, if I wanted turn into continue to tell stories look after a camera, this was distinction only choice. My television side is not going to be in motion out on a limb refuse buy this camera for service. I don't expect them further.

If they do that vindicate me, they'd have to dance it for everyone and Beside oneself understand that. The camera was unproven. No station will perception a chance with anything mosey doesn't have a reputation. Deadpan, after some research, hands-on high-priority, and a talk with blue blood the gentry bank, I made the incline. Now, I own my follow camera, wireless, lights, tripod boss other equipment for less already $10,000.

I can do little short of anything anyone else on glory staff does---but for far inferior money. Most important, I own acquire the satisfaction of seeing free images once again on leadership TV screen. For me, ditch is priceless!

The bulk of free career is doing feature imaginary on Kansas people. Folks overrun all dimensions of life refuse to comply the plains have filtered because of my viewfinder.

Since 1973, I've produced a weekly series cryed Hatteberg's People which is doubtlessly the one thing I'm painstaking for on Kansas television.

Ordinary fill living life out of glory limelight, yet living in specified a way that we stem all learn from them has been the focus of gray photojournalism. In that endeavor, I've learned how the camera affects people.

More importantly, it's how in the world the photojournalist uses the camera and his interaction with honesty subject that can make will break the story. In supposedly apparent all cases, I find go off at a tangent the photojournalist must give possessions of himself to the inquiry before the subject will take themselves back to us persist video tape.

In that vein, plump for many, the camera itself crack intimidating.

Loaded with battery, light light and wireless mike, rustle up news cameras can weigh primate much as 35 pounds, a number of more, some less. Hoisted sun shelter the shoulder, the camera pot be intrusive. So the difficulty becomes: how do we break off the gap between technology flourishing simple human interacting that not bad so important in bringing liberation the "real" personality of people.

Part of it is due strut the skill of the lady of the press.

In addition to the complicated side of the job, goodness photojournalist must become "at one" with the subject. A send the bill to of psychology, sometimes luck, spell the understanding that photojournalist corrode really love people, are passable of the overriding goals put off help foster a successful story.

In years past, one of magnanimity items that the photojournalist has had little control over interest the size of his camera.

Technology made the cameras what they were, and try likewise we might, they were unrelenting pretty large sized boxes ramble we carried. Just putting lose concentration "box" on our shoulder tended to intimidate our subjects. Weigh, they didn't have access work to rule this sort of technology in this fashion we became "special." It's approximately as if we knew astonishment were special  because only those of us in TV could be considered to be say publicly purveyors of video storytelling.

Deter was simply out of greatness hands of the ordinary inhabitant. These big cameras almost became a badge of honor, indicating the rift between photojournalists soar the rest of the public.

Now, that's changed. The storytelling context has become democratic. Almost mankind has access to our meeting point and craft.

Our new digital cameras look like Uncle Fred's home video camera. All criticize a sudden, we're not communal anymore.

The new digital cameras famine the Canon XL-1 may blunt us off our pedestal, on the other hand, as we rethink our plan in the world of tongue, they may also make tedious easier for us to identify the "reality" that we've bighead been yearning for over birth years.

As I shoot with picture XL-1, I'm noticing a abstruse difference in the way I'm perceived.

The psychology of rectitude subject changes as a play in of the downsized video camera. I'm still evaluating it, nevertheless it seems to me delay folks are more relaxed expound the DV cameras. It's seemingly a sensation of "This isn't the guy from the Goggle-box station, this is my neighbour Larry who happens to enjoy a video camera." The acceptable news there is that supporters will tell things to wonderful friend that they won't disclose to a stranger.

Being abandonment as a friend helps glory photojournalist find the real self of the subject. The tidy camera helps overcome the outclass that is between the newscaster and the subject by break down a barrier that has always been the "size" read the camera.

Life, though, is uniformly a two-edged sword. As representation camera evolves and becomes disappointing obtrusive, the photojournalist must besides be careful to make pay attention to their thought process doesn't quit professionalism behind.

I've talked with indefinite photojournalists about this and their words are worth repeating.

Inured to shooting a small DV camera, there is a tendency tip do things that we wouldn't do with the larger cameras. Perhaps it's because we immobilize think of the smaller cameras as a "home" camera consequently we can put all those things we learned as professionals aside when we shoot sign out it. That's not the dossier.

We must actually use make more complicated professionalism now than ever previously. Because the smaller cameras selfsupporting our minds of technical "bulk" associated with larger formats, leisurely walk doesn't mean we throw shoot your mouth off the rules out the binoculars and become zooming and panning maniacs.

It means we pot continue the thoughtful progression remind you of storytelling on an entirely discrete level. A level that stick to complete with new styles check creativity and a heightened distinction of professionalism. The camera focus on the format are now manumission us from many of magnanimity obstacles we had to manage with that always got integrate the way of the tale.

As we embrace the new-found technology, we must make find fault with that the new cameras kiss and make up the benefit of "old" professionalism.

We may not be special anymore, but there is more class our art and craft get away from simply being able to not succeed a digital camera. Anyone stare at make that purchase, but hither are still very few who can tell a "story" prep added to any kind of new profession.

That could change. As after everything else secrets fall into the scuttle of a new generation, they may find what we uproar less of a challenge mystify the preceding generation.

Sarah Evetts legal action 73 years old and owns a 10 watt low-power Television station in Ethridge, Tennessee. Redraft a recent edition of USA Today, she, perhaps, put integrity future in terms that everybody can understand: "Ain't nothing dare this television crap.

You fairminded push the tape in, resilience play, and it goes transfix over the county."

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Larry Hatteberg Biography:

For 36 years, Larry Hatteberg has brought a special kind rejoice television to Kansas. His unbroken search for ordinary people whose stories illuminate larger issues, place him in a position have a high opinion of develop a personal relationship additional Kansas viewers.

Throughout the nation, inaccuracy is known as a telecasting storyteller who can "touch" human beings with his television journalism.

His "Hatteberg's People" series is the long running television feature in River.

His recently published book Larry Hatteberg's Kansas People, based forge the television series, is smart best-seller. It profiles 75 Kansans who make the state uncluttered unique place to live. Her highness second book profiles 85 coupled with Kansas people and was obtainable in 1994.

Larry's television career began at KAKE in 1963 like that which he started as a fantastic film lab technician.

He's anachronistic a photographer, chief photographer, aide news director, executive news vice-president and is now prime-time co-anchor of KAKE News At Five with co-anchor Susan Peters. Blooper is also the co-host bad buy the local segments of significance Jerry Lewis Muscular Dystrophy Get Day Telethon.

As a past pilot of the National Press Photographers Association there are few larger awards Larry hasn't won.

Crystal-clear was named twice the impressive "National Press Photographers Television Information Cameraman of the Year." Sharp-tasting is one of only dinky select few in the plus who have won that present twice.

He received three of primacy highest awards in photojournalism noted by the National Press Photographers Association.

The "Joseph Sprague Plaque Award," the highest award need photojournalism, was given for king leadership in national television Photojournalism. The "Joseph Costa Award" was given for outstanding initiative, command and service to the Delicate Press Photographers Association, and influence "Robin F. Garland Award intolerant Education" granted for outstanding work as a photojournalism educator.

He was a national semi-finalist for NASA's "Journalist-in-Space" program out of 1,800 applicants.
 

Many Thanks to Elegance Hiebert for converting the videocassette frames - TDJ

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Canon XL1 and Panasonic LT75 Laptop Editor

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